Book Review of "Color Is Everything" by Dan Barges

Shade is Everything: Master Using Color in Oils, Acrylics or Watercolors [Soft cover]
by Dan Bartges
96 pages, $14.99
ISBN-13: 978-1892538369
Nonfiction
Overview by Steven King, MBA, MEd
Marc Shagall, a Russian-Jewish performer, was hailed as one of the powerful artists of the twentieth century. His experience allowed him to invent a remarkable career using several artistic mediums, including stained course, tapestries, and fine prints. Shagall suggested,"Color is . When shade is correct, form is proper. Shade is what..."
Artist Dan Bartges dovetails about the latter part of the quote to provide the world this manual to using color. It's read just like the heat of a conversation with an old friend only with the technical superiority of a well-written textbook. Ideally, readers will grab color stability when utilizing approaches mastered by all fantastic artists.
At just under 100 pages, Bartges paints a masterful description of colour and its admiration. As a master educator, his objective is to have a pupil on a trip of many endeavors to comprehend color and its program. Staying the consummate professional, he constantly makes concept interesting by giving real world illustrations of famous (and not so famous) paintings to illustrate his point.
Though not using a condescending tone, Bartges' tutelage leaves no rock unturned. He details the kind of materials required: a colour wheel, the particular colors of paint, and brush choice. A comprehensive evaluation is given of the six present colour schemes and the way that their mastery contributes to better art. Furthermore, Bartges assesses famous art to offer explanation of the specific artist uses, let us say, a complementary colour scheme.
As you would anticipate, the rich vibrancy of colours jump off each high slick page of the tutorial. Occasionally it's tricky to follow exactly what Bartges is hoping to elucidate by analyzing a few paintings, but even a casual browse is going to have the reader nodding in agreement that a specific color stability is evident. When understanding the nuances of different paintings is the main need this instrument would function as a fantastic colour guide corollary.
Those aspiring to teach art or to know much better colour stability will delight in this publication. If you're eager to generate a little investment along with the publication (the lowest priced color wheels are approximately $4.50), Bartges will direct you to an enjoyable journey where you will finally find that color is all. Interesting jobs are interlaced from the book to provide the reader the hands on feel of education.
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